The Outpost is a magazine of possibilities. It identifies, understands and analyzes the conflicts, morals, energies and opportunities of a changing Arab world and lays down possible futures. It aims to ignite a socio-cultural renaissance in the Arab world through inspiring its readers to explore a world of possibilities.
The magazine is published two times a year from Beirut. It is ambitious, multidisciplinary and audaciously eclectic. It has a general scope, a regional focus and a global outlook, and covers a wide range of stories that are meant to inform, inspire and entertain. It is forward looking and upholds an optimistic view on a world where possibilities are endless.
Get a copy of the
Outpost from our
This edition is made to warm the deepest corners of your heart. We think that the world needs a good dose of positive energy right now, and this issue is our little contribution. Starting with the ice cream on the cover.
In this issue, we examine how far a story can go in tangible changing the world. We trace the root of our narratives to better understand what they say about us, as well as the manner in which we can use them to discover ourselves and accept the commonalities and differences amongst each other.
In this issue, we actively chose to get lost. We invented new tools to maneuver through life, designing our present state of being by accepting where the unknown could lead us, in order to somehow custom make an exciting future. The issue presents a wide range of possibilities through infinite modes of getting lost.
The second issue of The Outpost is based on different World Makers whose creations, energies and activism are changing the Arab world upside down. These World Makers were numbered, indexed and rearranged, then connected to each other based on what they are working on. The result is a network showing the world that is constructed due to each of them making change in different clusters of activities and their interconnections.
Following The Outpost's inaugural issue which grounded the concept of possibility in a tangible framework of thought and action, Issue 01 was an opportunity to examine where we are today as Arabs and how we can move forward from here. It taps into conversations underlining important social, cultural and economic issue within the scope of Transport, Movement, and Evolution.
The Outpost’s first issue was released in September 2012 across the Middle East. A diverse team of investigative journalists, information designers, illustrators and photographers from different cities from around the region came together to produce the first edition.
The Outpost is not a news outlet, and we are not interested in hiring fact-relaying journalists. We are looking for writers who can spot a good story from a distance and easily put on their investigative reporter hat to uncover and understand facts and transform them into compelling narratives, creating timeless works of non-fiction in the process.
You are a Beirut-based native English speaker who is proactive, professional and ready to pitch in to get valuable magazine industry experience with an exciting new magazine.
Send your resume and two samples of work to
Included with Issue 01 of The Outpost is an illustrated children’s book entitled L’Origine(s) du Monde, referencing Gustav Courbet’s 1866 painting. The narrative of the book is accessible to children, but relevant to readers of any age. The message of the book centers on the fact that we are the origin of the world and tangibly share the universe. The book aims to make the idea of a shared body and a responsibility towards our actions, perfectly encapsulating some of the themes running through Issue 01.
The book is written in English, given the scope and readership of the magazine. The Arabic version, however, will be available in 2013 and distributed to schools and public libraries across the Arab world. The book is licensed under Creative Commons to encourage its dissemination, translation and adaptation in different educational and creative media. You can download a free digital copy of the book here.